The Collar in Fragments
5 000,00 €
“The Collar in Fragments” is the third painting of the collection “The Collar in Fragments” and it shows the ruff after it has broken free of realism and scattered into geometry. The curved pleats are now sharp planes of white and sand, clustered around a single dark square that recalls the old opening. The body has dissolved into intersecting triangles of muted color, and the sky into angled shards of blue. Nothing is described; everything is constructed. In this abstract field of edges and facets, the collar survives only as a pattern of relationships — a memory turned into structure, a presence felt through fragments rather than form.
This original tempera painting is a one of a kind piece created with passion and precision. The artwork comes beautifully framed, ready to hang and the frame is included in the price. You simply choose your preferred frame, and I will take care of the rest. Shipping is completely free, and with every purchase, you’ll receive a hand signed “Certificate of Authenticity”, personally prepared by me, the artist.
“The Collar in Fragments” arrives at the point where the garment is no longer a garment at all, but an arrangement of forces. The ruff that once curved so clearly across the canvas has been broken into sharp, crystalline planes of white, sand, and blush. These angular pieces cluster near the center like a shattered memory trying to reassemble itself, a rhythm of teeth or folded pages caught mid-explosion. Only a small, dark rectangle hints at the old buttoned opening — a quiet remnant of function in a world that no longer needs it.
Around this fractured center, the body has dissolved into a landscape of facets. What might have been shoulders, fabric, or posture now exists as intersecting triangles in muted browns, greys, and rose tones, falling downward like a collapsed architecture of self. The background, once a soft stage of color, has become a sky of cut blue shapes, overlapping and tilting like pieces of glass. Nothing here is soft; everything leans, points, and collides. The painting speaks in edges instead of curves, in directions instead of outlines.
In this geometry, the collar is not depicted so much as implied. It has turned into a structure of relationships: angles pressing against angles, light striking flat planes, shadows forming where shapes refuse to align. The familiar has been replaced by a system, and yet something human still lingers — a sense of uprightness, of a figure held together by sheer tension. The image feels like the interior framework of identity laid bare, after its outer surfaces have fallen away.
“The Collar in Fragments” completes the journey that began with precise realism and moved through soft dissolution. Here, the subject has become pure thought, pure pattern. The painting no longer asks us to see a piece of clothing; it asks us to feel how things come apart and re-form as something new. In the scattering of planes and the quiet persistence of that dark, centered square, we witness the final transformation: the collar as memory, as structure, as a constellation of fragments that still, somehow, hold the echo of a presence.
| Weight | 1 kg |
|---|---|
| Dimensions | 35 × 50 cm |
| Frames |
Golden Embossed – The Collar in Fragments Frame 1 ,Silver Embossed -The Collar in Fragments Frame 2 ,Bronze Whisper – The Collar in Fragments Frame 3 ,Antique Flame – The Collar in Fragments Frame 4 ,Charcoal Line -The Collar in Fragments Frame 5 ,Golden Smooth – The Collar in Fragments Frame 6 ,Silver Smooth – The Collar in Fragments Frame 7 ,Black Shine – The Collar in Fragments Frame 8 |
MAECENAS IACULIS
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ADIPISCING CONVALLIS BULUM
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